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In most old Kerala houses there is one chair that everybody wants. It is not the most valuable thing in the room and it is rarely the most decorated. It is low, deep, raked well back, with a hand-woven cane seat and long flat arms, and once you are in it, getting up requires a decision.
That is the plantation chair — also called the planter's chair, the Malabar chair, or simply the easy chair. It is one of the few genuinely Indian contributions to the canon of colonial furniture, and it is a better-engineered object than it looks.
European seating was designed for cool rooms: upholstery, a fairly upright back, feet on the floor. In coastal South India, every part of that is wrong. Upholstery traps heat and moisture against the body. An upright posture is the last thing anyone wants at three in the afternoon in June. And anything stuffed will hold damp through a monsoon and eventually smell of it.
The plantation chair answers each of those directly:
Everything about the chair is a response to climate. That is why it has never really gone out of use here.
There is no single canonical plantation chair. Broadly:
The timber. Solid teak or another dense hardwood throughout, not a stained softwood frame. Check an unfinished edge or the underside of the seat rail.
The cane. Hand-woven cane is worth insisting on. Machine-made pressed cane webbing is set into a groove around the frame as a single sheet; it is quicker to fit, less durable, and when it goes it usually has to be replaced whole. Hand-woven cane is worked strand by strand through drilled holes, and it can be tightened or partially rewoven later.
The joinery. This chair takes its load at an angle, with a reclining adult's full weight going through the back joints. Cut joinery — mortise and tenon — is what keeps it from racking after a decade. Push gently at the top of the back; a well-made frame will not move at the joints.
The angle. This is the thing people forget to test. Rake varies considerably between makers, and a few degrees changes the chair completely. Too upright and it is an ordinary armchair; too far back and standing up becomes a production. Sit in it before committing — and sit for more than ten seconds.
The dimensions. A plantation chair is deep. Ours is 116cm deep, 63cm wide and 86cm high, which keeps the generous recline the form is known for — but it means the chair needs real floor space and will overwhelm a small room. Measure before you fall in love.
The traditional position is the verandah or poomukham, facing out, and it is still the best one. A pair either side of a low table, looking into a courtyard or garden, is close to the ideal use of the form.
Indoors, it works better as a considered object than as general seating. A single chair in a reading corner with a lamp and a side table. At the foot of a bed in a large bedroom, angled towards a window. In a sitting room as the counterweight to a modern sofa — which is often the most interesting thing you can do with it, because the contrast makes both pieces legible. In an apartment, it belongs by the largest window in the house.
What it does not do well is line up. Four plantation chairs around a room is a hotel lobby. One or two, with room to recline, is a house.
The frame follows the same rules as any teak piece — dust with the grain, wipe spills, keep it out of relentless direct sun, and do not smother it in silicone polish. Our teak care guide covers the detail.
The cane needs a little more attention:
A low, deep reclining chair with a steeply raked back, a hand-woven cane seat and back and long arms, traditionally made in teak. It was developed on the Malabar coast for humid conditions, where cane allows air to pass through the chair and the reclined posture suits hot afternoons.
They are the same form; the names are used interchangeably, along with “Malabar chair” and “easy chair”. Some versions have extending or swing-out arms for the legs, and others have fixed flat arms.
Yes — it is arguably the most suitable seating there is. Cane allows air to circulate rather than trapping moisture against the body or inside padding, and a teak frame resists the humidity that damages other timbers.
With ordinary domestic use and reasonable care, many years. When it eventually slackens it can be re-tensioned or rewoven by a skilled craftsman rather than replaced, which is why hand-woven cane is preferable to machine-pressed webbing.
More than most chairs. The form is deep by design — ours measures 116cm front to back — and versions with extending arms need further clearance in front. It suits a verandah, a generous sitting room or a reading corner rather than a tight space.
The plantation chair has survived every change in taste for well over a century for an unglamorous reason: it is the right answer to a real problem, and nobody has produced a better one.
Temple Town's Kerala Plantation Chair is made in solid teak in our own workshop in Thrissur, with cane woven by hand, and is built to be repaired rather than replaced — the cane can be rewoven and the teak refinished for as long as the chair stays in the family. Dimensions and finish can be adjusted on commission.
Related reading: What is colonial furniture? · Cane or upholstery?